A rhythmic sound art piece produced from natural sounds recorded at Brock Hill, Rhinefield Ornamental Drive, Brockenhurst in The New Forest.
This Sound Art composition has been created from recordings of the automated voice heard inside the Lymington to Brockenhurst train, together with the sound of the train interior. The interior has been transferred to analogue tape as a loop, which forms the basis of the piece.
The Lymington Railway, running between Brockenhurst and Lymington was established in 1856 and a temporary station opened at Lymington on 12 July 1858. A permanent station was opened at Lymington Town in 1860. Three years later the company acquired a ferry to the Isle of Wight. The company was absorbed by the London and South Western Railway in 1879. Services were extended to Lymington Pier in 1884.
A Sound Art composition that’s produced from recordings taken at Lymington’s Saturday market. Each element was created as a separate sound object and then spliced and manipulated on sixty-year old Ferrograph reel to reel tape machines using tape loops and backwards sound. The distant music that forms part of this piece comes from sound drifting down the street from a record seller’s speaker system.
A sound collage produced from a collection of audio materials captured on a quiet afternoon in Keyhaven.
This piece was developed from a single recording of a vintage Titan tractor, which I captured at The New Forest Show. Eight different pitches of the original sound have been used, each an octave apart. Mechanical melodies have been produced by triggering elements of the original sound in semitone steps.
An electronic concerto for six country pursuit commentators, stationary engine and analog step-sequencer. The source field recordings used in this work were captured at The New Forest and Hampshire County Show in July 2015, Brockenhurst, Hampshire, England.
Six manipulated commentaries revolving around country pursuits comprising log cutting, showjumping, hunting, dog handling, cattle and sheep competitions form the basis of the composition. The rhythmic percussion underpinning the piece is generated from field recordings of small stationary agricultural engines (including the RA Lister and the Wolseley) produced in the early 20th Century.
This version of the piece contains musical elements. Also have a listen to The County Show 1, which features just manipulated environmental sounds without the music.
This Sound Art piece uses the manipulated sound of a woodpecker in the woods. It features slowed down sounds, delay and a variety of note pitches. What would it sound like if our forest woodpeckers created a musical arrangement? Listen to find out!
What does a forest stream sound like when slowed down, especially when the trickles and bubbles become unusual rhythmic structures?
This is a Sound Art piece and developed from crossfading four different sound sources together. Some of them have been slowed down by recording them onto magnetic tape on an elderly Ferrograph reel-to-reel machine, to as much as 1/64th of their normal speed to reveal the hidden and unusual sounds present. I recorded the source material along the Ober Water forest stream near Brockenhurst.
The piece starts with the stream at normal speed and then bit by bit, it gets progressively slower, and interesting rhythms start to emerge.
A collage-based Sound Art piece created from field recordings taken at Christmas 2018 in Lymington and Brockenhurst. Each of these sound objects were transferred from the original field recordings onto a 1964 vintage Brenell STB1 reel to reel tape machine and processed. Some have been slowed down, others reversed, some treated with the machine’s three head tape echo. I was aiming to create a rather melancholy ambience.