A rhythmic sound art piece produced from natural sounds recorded at Brock Hill, Rhinefield Ornamental Drive, Brockenhurst in The New Forest.
This Sound Art composition has been created from recordings of the automated voice heard inside the Lymington to Brockenhurst train, together with the sound of the train interior. The interior has been transferred to analogue tape as a loop, which forms the basis of the piece.
The Lymington Railway, running between Brockenhurst and Lymington was established in 1856 and a temporary station opened at Lymington on 12 July 1858. A permanent station was opened at Lymington Town in 1860. Three years later the company acquired a ferry to the Isle of Wight. The company was absorbed by the London and South Western Railway in 1879. Services were extended to Lymington Pier in 1884.
A Sound Art composition that’s produced from recordings taken at Lymington’s Saturday market. Each element was created as a separate sound object and then spliced and manipulated on sixty-year old Ferrograph reel to reel tape machines using tape loops and backwards sound. The distant music that forms part of this piece comes from sound drifting down the street from a record seller’s speaker system.
A sound collage produced from a collection of audio materials captured on a quiet afternoon in Keyhaven.
On Boxing Day each year, the annual point to point races are run across the forest. This piece is built from various individual recordings that I collected near the finishing line one chilly morning. This is a significant social gathering in the New Forest calendar, and it’s exciting!
The event is organised by responsible local officials of the New Forest Pony Breeding & Cattle Society who have wide experience and understanding of the race; usually having raced in it themselves in the past. They have good understanding of the New Forest habitats and special ecological status areas.
The location of the end point is not disclosed until after the closing date for entries about 1st. December. The participants are then told via the New Forest Pony Breeding & Cattle Society website. The location of the start point is not disclosed until the day before the race, and then only to participants.
The children’s races are approximately 1.5 miles escorted by mounted riders. The adult races are approximately 3 miles with mounted stewards along the course.
This piece was developed from a single recording of a vintage Titan tractor, which I captured at The New Forest Show. Eight different pitches of the original sound have been used, each an octave apart. Mechanical melodies have been produced by triggering elements of the original sound in semitone steps.
An electronic concerto for six country pursuit commentators, stationary engine and analog step-sequencer. The source field recordings used in this work were captured at The New Forest and Hampshire County Show in July 2015, Brockenhurst, Hampshire, England.
Six manipulated commentaries revolving around country pursuits comprising log cutting, showjumping, hunting, dog handling, cattle and sheep competitions form the basis of the composition. The rhythmic percussion underpinning the piece is generated from field recordings of small stationary agricultural engines (including the RA Lister and the Wolseley) produced in the early 20th Century.
This version of the piece contains musical elements. Also have a listen to The County Show 1, which features just manipulated environmental sounds without the music.
An ambient music composition which takes a beautiful, New Forest frosty winter sunrise as its inspiration.
A soundscape composition that commences with a single drip of rain, and gradually turns into a veritable New Forest downpour.
This Sound Art piece uses the manipulated sound of a woodpecker in the woods. It features slowed down sounds, delay and a variety of note pitches. What would it sound like if our forest woodpeckers created a musical arrangement? Listen to find out!